Video Of The Day

ZamanZaman

Ziyaretçi

« Yanıtla #70 : 15 Eki, 2007, 10:41:20 »

Grup Elemanları
Mustafa Kemal Öztürk: Vokal, Piyano, Gitar
Barış Bahçeci: Vokal, Gitar, Perküsyon
Mert Özdemir: Gitar, Vokal, Banço, Mandolin
Doğaç Başaran: Bas Gitar, Vokal
Emre Yıldız: Davul, Perküsyon

Teoman, Nil Karaibrahimgil, Aylin Aslım ve Nezih Ünen gibi ünlü sanatçı ve grupların yetiştiği Boğaziçi Üniversitesi Müzik Kulübü'nden (BÜMK) akustik tınılı ve çok sesli bir pop-rock grubu geliyor: Badem. Grup, şarkılarını günümüz toplumunda yüzeysel olarak yaşamaya başladığımız ve günden güne yitirdiğimiz aşk, sevgi ve hüzün duygularını yeniden canlandırmak için yazıyor. Türk halk şairi Karacaoğlan'ın şiirlerindeki felsefeyi benimseyen Badem, şairin sözlerini hem hızlı ve dinamik, hem de romantik ve ağır düzenlemelerle işliyor. Temalarını çok sesli melodik vokallerle ve akustik enstrüman ağırlıklı altyapılarıyla sunan Badem'in müziğinde Modern Folk Üçlüsü, MFÖ, Beatles, Eagles ve Beach Boys gibi grupların etkisi kendini hissettiriyor. Coldplay ve Travis gibi yeni dönem grupların atmosferini de grubun şarkılarında bulmak mümkün. BÜMK'de senelerce koristlik, koro şefliği ve kulüp başkanlığı faaliyetlerinde bulunmuş grup elemanları tam sekiz senedir beraber çalıyorlar.

Badem grubu Mustafa Kemal Öztürk (Vokal, piyano), Barış Bahçeci (Vokal, gitar, perküsyon), Mert Özdemir (Gitar, banço, mandolin, vokal), Doğaç Başaran (bas gitar, vokal) ve Emre Yıldız'dan (davul, perküsyon) oluşmakta. Taşoda Ses Tasarım & Müzik Prodüksiyon firmasıyla 2004'te sözleşme imzaladıktan sonra stüdyoya giren grup, ilk albümünü ekim 2005'te Sony BMG Music Türkiye'den çıkardı.

1995'te BÜMK korolarında tanışan Mustafa Kemal Öztürk ve Barış Bahçeci, Devrim Ünay adlı arkadaşlarıyla isimlerinin baş harflerinden oluşan Badem (BArışDEvrimMustafa) adıyla bir vokal topluluğu kurdular. Vokallerini gitar ve piyanoyla destekleyen Badem grubu BÜMK bünyesinde bir çok konser verdi. Bestelerinin yanında birçok türkü düzenlemesi yaptılar. Hayata bakışını ve şiirlerini çok sevdikleri Karacaoğlan'ın sözleriyle yaptıkları beste ve düzenlemelere konserlerinde yer verdiler. Gruba zaman içinde çok çeşitli sazlar eklendi. 1998'de bas gitar ve davul enstrümanları da eklendikten sonra grup şimdiki pop-rock formatına yakın bir hal aldı, ancak grubun uzun süre sabit bir davulcusu ve basçısı olmadı. Aynı sene Mert Özdemir gruba akustik gitarıyla dahil oldu ve Badem, Akdeniz Üniversitesi'nin düzenlediği Uluslararası Akdeniz Gençlik Şenliği'nde başarılı bir performans sergiledi. Grup bundan sonra sırasıyla 19 Mayıs Üniversitesi, İstanbul Üniversitesi ve Avrupa Müzik Şenliği'nde sahne aldı. 2000'de korolarda tanıştıkları Doğaç Başaran bas gitarist olarak gruba katıldıktan sonra Badem, yeni haliyle Boğaziçi Üniversitesi'nde birçok konser verdi. Bir süre sonra BÜMK'de tanıştıkları Emre Yıldız, Badem elemanlarının cover parçalar çaldıkları The Bridge isimli grupta davul çalmaya başladı. Aradan bir sene geçtikten sonra Badem grubunun da davulcusu oldu. Mert Özdemir'in askere gitmesinden sonra 2002'de Show TV'nin Sing Your Song adlı müzik yarışmasına Toprak ismiyle katılan grup elemanları finallere kalmalarına rağmen Mert'in askerde olmasından dolayı çekilme kararı aldılar. Yarışmadan yaklaşık bir yıl sonra Mustafa Kemal Öztürk ve Barış Bahçeci uzun süredir üstünde çalıştıkları yapım firması kurma planlarını Anıl Savaş Kılıç adlı arkadaşlarıyla birlikte gerçekleştirdiler ve Taşoda Ses Tasarım & Müzik Prodüksiyon firması kasım 2003'te faaliyetlerine başladı. Firmayla sözleşme imzalayan Badem, mayıs 2004'te altı farklı şehirdeki on adet üniversiteyi kapsayan başarılı bir turneye imza attıktan sonra albüm çalışmalarına başladı.

Vakitlerinin büyük bir kısmını ayırdıkları Badem dışında farklı işlere sahip grup elemanlarından Mustafa Kemal Öztürk, Taşoda Ses Tasarım & Müzik Prodüksiyon'da çalışıyor. Mustafa aynı zamanda İTÜ Müzik İleri Araştırmalar Merkezi, Ses Mühendisliği, Yüksek Lisans Bölümü mezunu ve doktora öğrencisi. Barış Bahçeci felsefe bölümü mezunu ve Taşoda Ses Tasarım & Müzik Prodüksiyon'un kurucularından. Üç sene Taşoda ile birlikte çalıştıktan sonra yollarını ayıran Barış, şu an Badem ve müziğe odaklanmış durumda. Mert Özdemir inşaat yüksek mühendisi, Doğaç Başaran ise elektronik mühendisi olarak çalıştıkları işlerinden albümlerinin çıkmasına az bir süre kala istifa ettiler. Doğaç Başaran halen elektronik bölümünde doktorasına devam etmekte. Emre Yıldız ise Boğaziçi Üniversitesi'nin yeni mezunlarından. Boş vakitlerinde sık sık görüşen Badem elemanlarından Doğaç ve Mustafa'nın masa tenisine merakı çok büyük, ancak Doğaç'ın üniversitelerarası Türkiye 5.liği bulunan Mustafa'ya karşı maç kazanması pek mümkün olmuyor.

Badem grubunun senelerdir konserlerini takip eden on binlerce kişinin beklediği albümü artık raflarda. Modern ve akustik ağırlıklı pop-rock sound'u ve çok sesli vokallerle söyledikleri Karacoğlan sözleriyle Badem grubu, genciyle yaşlısıyla geniş bir kesim tarafından büyük ilgi görüyor.


	Logged

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #71 : 15 Eki, 2007, 11:19:46 »

Make Some Noise
“Music speaks the language of freedom, revolution and solidarity. Without that freedom – without music that is angry, joyful and necessary – we are nothing.” - Yoko Ono

Make Some Noise is a global venture by Amnesty International that mixes music, celebration and action to protect individuals wherever freedom, justice and equality are denied. Thanks to an extraordinary gift from Yoko Ono – the recording rights to “Imagine” and John Lennon’s entire solo songbook – we are harnessing the power of music to inspire a new generation to stand up for human rights.

As a solo artist, John Lennon’s unique talent and passionate campaign for world peace made him one of the most influential activists the world has ever seen. "Peace is no violence, no frustration, no fear," claimed Lennon – and with this lyrical mantra, he strived to promote the issues he believed in, inspiring change through music which both provoked and united communities. In a world plagued by war and poverty Lennon's message is just as relevant today as it was it was first written.

Our aim is to attract one million new supporters worldwide. We’re not here to talk about the past, tug on the heartstrings or show images of suffering. We’re here to make a positive impact on our world and collectively raise our voices to make as much noise as we can for human rights.

"We wanted to do "

<a href="http://www.youtube.com/v/UPPgeDhGzKY" target="_blank">http://www.youtube.com/v/UPPgeDhGzKY</a>" because its themes of alienation, class, and social status really resonated with us. It's such a raw, aggressive song, just that line: "you're still ****ing peasants as far as I can see", we felt we could really sink our teeth into it. I hope we've done him justice. " Green Day singer-guitarist Billie Joe Armstrong

Key facts about Darfur in Western Sudan
More than 200,000 people have died in the 4-year conflict in Darfur. More than 2.5 million have been displaced from their homes.

Murder, rape, pillage and mass forced displacement continue to be used as weapons of war by government-supported Janjawid militias, along with Sudanese armed forces.
Armed opposition groups have also been responsible for grave violation of human rights.
Attacks on aid workers and humanitarian convoys continue. Between June 2006 and January 2007, 12 aid workers were killed, more than in the previous 2 years combined.

The conflict has now spread to neighbouring Chad, where Sudanese Janjawid militias and their local Chadian allies target civilians with impunity.

The presence of African Union (AU) soldiers has provided some protection to civilians, but limited logistical and financial support means that mass killings and displacement continue to take place.

The Sudanese government has failed to abide by most resolutions of the AU and UN, including UN Security Council resolution 1706 (2006). it is currently stalling the full deployment of a joint UN-AU peacekeeping force.

NO MORE EXCUSES! PROTECT THE PEOPLE OF DARFUR NOW!


	Logged

yakamoz

5de Leerjaar

Offline

Yer: bahçıvanımdır ve istenilen yere giderim...
Mesaj Sayısı: 376

Son öten oraz.

Re: Video Of The Day

« Yanıtla #72 : 15 Eki, 2007, 13:30:44 »

Mijn voorstel > Immortal Technique -- The Poverty of Philosophy:

<a href="http://www.youtube.com/v/j7Vl0peys90" target="_blank">http://www.youtube.com/v/j7Vl0peys90</a> (vanaf seconde 40 wordt ie goed Wink

)

¡Viva la Revolución!


	Logged

Bir millet dilini kaybederse, tarihten silinmeye mahkûmdur!
Eğitim bozulduğu an, sistem çökmeye mahkûmdur!
”AB Türkiye’yi Sevr benzeri bir proje içine sokmaya çalışıyor. Ben AB’ye sonuna kadar karşıyım.”

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #73 : 16 Eki, 2007, 09:48:11 »

<a href="http://www.youtube.com/v/j7Vl0peys90" target="_blank">http://www.youtube.com/v/j7Vl0peys90</a> (Felipe Coronel)was born February 19, 1978 in a military hospital in South America, Immortal Technique was brought to the United States in the early 80's while a civil war was breaking out in his native Peru. The US supported puppet democracy and Guerilla factions were locked in a bitter struggle which ended like most do in Latin America, with the military and economic aid of the State Dept. through channels like the CIA. Although he had escaped the belligerent poverty and social turmoil of life in the 3rd world, he was now residing in Harlem which had its own share of drama. Growing up on the streets of New York, the young man became enamored with Hip Hop culture, writing graffiti and starting to rhyme at an early age. Although he frequently cut school and ended up being arrested time and time again for his wild behavior, the kid still managed to finish high school and got accepted to a state university. Unfortunately the survivalist and aggressive attitude that was the norm in New York City caused him to be involved in more violent altercations at school, whether it was with other brothers, false flaggers or the relentlessly racist population of an uncultured Middle America.

Compiling multiple assault charges in New York State and in other states eventually caught up to the uncompromisingly hardheaded actions of one Immortal Technique. He faced several charges for Aggravated Assault in the tri-state area. Realizing his inevitable incarceration, Technique began to prolifically write down his ideas about what he had lived and seen in the struggle back at home in relation to his visits back to his native land. He came to embrace his African roots that stemmed from his grandfather and understood the nature of racism and ignorance in its role in Latino culture, separating oppressed peoples and keeping them divided. He also began to study in depth about the Revolutionary ideas that had caused a history of uprising in the indigenous community of his Native South America. Although pressured to turn states evidence before and during his bid, he refused the DA and lawyers. He was facing a 5-10 stretch, but the hiring of a pittbull attorney helped him compile the cases without turning snitch like his co-defendants. The result was a 1-2 year sentence in the mountains, 6 hours away from the city. There Technique studied, worked out vigorously, began to document his lyrics, and create songs. Besides the creation there was destruction, and the fights were nothing compared to the verbal battles that he engaged in occasionally. This proved to be a foreshadowing of what was to come...

Paroled in 1999, Immortal Technique returned to NYC and began a campaign to claim victory to what he had discovered he had a talent for; battling. One of the rites of passage in establishing oneself in the Hip Hop community is following in the steps of those who made their name in lyrical warfare before you. Immortal Technique quickly became known throughout the underground. His brutally disrespectful style was trademark, and it was not long until he had won countless battles not just on stage and in clubs, but on the streets whenever a random cipher would pop up. From Rocksteady Anniversary, to Braggin Rites, SLAM DVD's and hookt.com's infamous battles, he established himself as someone who could captivate a crowd and who people looked forward to seeing. But it was then that Technique realized what every battle champion had come to terms with before him, battles was just that, battling, and not synonymous with success at making music. Turning his eye to production and touching up some of the songs he had written in prison he now focused on trying to get an album together, but major labels wanted a more pop friendly image and were uncomfortable with his hardcore street style that was complemented by his political views. In response to their lack of vision, Immortal Technique left the battle circuit and released his critically acclaimed Revolutionary Vol.1, which at first moved 3000 copies, but to date has moved more than 12,000. This earned him Unsigned Hype in the Source (11/02) and numerous articles in Elemental & Mass Appeal.

Established in the underground circuit Tech began another round of dealing with record labels unwilling to see the direction of his brutally honest and cultured rhymes. He decided to continue with what had been so successful, his hand to hand out the trunk hustle. In the post 9.11 climate, as the music industry crumbled, Immortal Technique built on the truth with a hardcore brand of street politics. Being featured in XXL, The Washington Post, and having been titled with the Hip Hop quotable in The Source (10/03) for his sophomore independent release Revolutionary Vol.2 was just the beginning.. On Viper Records, where he is the Executive VP, he sold 29,000 copies of Revolutionary Vol.2 to date and has appeared on soundtracks for new movies including the new Mario Van Peebles film "BAADASSSSS". Immortal Technique has also worked with Mumia Abu Jamal and AWOL magazine. His single "Industrial Revolution" released in conjunction with Uncle Howie Records hit #1 on CMJ and #50 on the Billboard charts. Recently back from a successful West Coast tour, Immortal Technique is now booking a European tour in the Fall of 2004 and recording his highly anticipated third album...

http://www.immortal-technique.com/

boodschap: bekijk de video alstublieft volledig

Alıntı

izle tamam ama anlatılanları ANLA, UYGULA ve ona göre DAVRAN hayatında


	Logged

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #74 : 17 Eki, 2007, 09:34:10 »

Jeff Dunham never travels alone – and with good reason. Dunham has put some new faces on comedy for the 21st century with his fast-talking, socially reckless "Suitcase Posse." When his new hour-long special, Jeff Dunham – Spark of Insanity, aired on Comedy Central, Dunham dive-bombed into the political arena with his new partner 'Achmed the Dead Terrorist', who has failed miserably in his suicidal tasks, thanks mainly to impotent anger, and a "premature detonation."
The recent runaway success of this shrewd, contemporary, and cutting-edge comedy team has now moved Dunham and his three-foot tall sidekicks out of comedy clubs and into sold-out concert halls and performance arenas across the country.

Numbers tell the story: Dunham's last Comedy Central airing, Jeff Dunham: Arguing with Myself, was one of the network's highest rated hour-long standup specials ever, with multiple repeats every month for the past year. The DVD of the same name has gone on to be one of the most successful comedy titles in history, going quintuple-platinum (500,000 in sales) over the last year.

Dunham's team consists of

<a href="http://www.youtube.com/v/IZjMgbRUsZM" target="_blank">http://www.youtube.com/v/IZjMgbRUsZM</a>, a frenzied and fast self-described 'comic genius', who claims origin from an uncharted island in Micronesia. In addition to Peanut there's; 'José Jalapeño' who avoided his destiny to be eaten when he teamed up with Jeff after an accident in his home country of Mexico, which permanently placed him, 'on a stEEK!'; There's 'Melvin', a mild-mannered, no-real-power superhero who wants to save our country from evil, meanwhile he keeps getting locked inside the suitcase. Jeff's longest running member of the posse is 'Walter', the out-spoken elderly and non-PC curmudgeon, who reasons that his marriage has lasted for forty-seven years because, "That old bitch will NEVER die..."

"What makes you think a girl would wanna see you? -José has the stICK!"


« Son Düzenleme: 17 Eki, 2007, 09:50:16 Gönderen: Zaman »	Logged

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #75 : 18 Eki, 2007, 13:54:12 »

Biography

Natacha Atlas (it's her real name) was born in Belgium, of Middle Eastern descent, with ancestral and family links to Egypt, Palestine and Morocco. Having moved around the world for most of her life, living in Brussels, Egypt, Greece and England, her experience of different cultures has most certainly influenced her music.

Natacha's first break came when she sang on Balearic beat crew !Loca's club hit Timbal, and was drawn into the Jah Wobble circle, singing and co-writing with his just-forming band Invaders of the Heart. (She has recently worked with Wobble again, on the 2002 Wobble/Temple of Sound album Shout At The Devil). She also met Transglobal Underground, the London-based multicultural collective who, in blending electronica, dub, hip-hop and funk with Indian, African and Middle Eastern musical forms, were significant role models for today's world-dance phenomenon. The encounter was to turn into a long-standing, happy association. First guesting with them in 1991, she became, two years, later, a member of the core quartet of Transglobal, as lead singer and belly-dancer (the latter not some kind of limp tourist-pleasing wiggle but the real raq sharki). A couple of years later, it was the band's Tim Whelan, Hamid ManTu and Nick Page (a.k.a. Count Dubulah, now of Temple of Sound) who helped her to make her first solo album, Diaspora. In parallel with the success of her solo albums she remained a full-time Transglobal member, and Transglobals constituted her backing band, until they left Nation in 1999, and they have remained allies throughout her subsequent career.

Diaspora was released (in the UK by Beggars Banquet/Mantra, as are all her albums) in 1995. It combined the dubby, beat-driven global dance approach of Transglobal with the more traditional work of Arabic musicians, and the result was a critically acclaimed collection of songs of love and yearning. 1997's Halim followed, and then Gedida in 1999 , both intelligently and naturally fusing Middle Eastern and European styles, and delighting an ever-increasing audience in both territories. 2000 saw the release of The Remix Collection, in which material from the first three albums was given the treatment by a variety of remixers, including Talvin Singh, Banco de Gaia, Youth, 16B, Klute, the Bullitnuts, TJ Rehmi, Spooky and the Transglobals. Natacha's fourth album Ayeshteni was released in 2001. It bears, as its only English-language song, a particularly splendid example of how this singer can take on a classic and cast new light and excitement on it - a mighty rendering of Screamin' Jay Hawkins' I Put A Spell On You. 2002's album, The Natacha Atlas and Marc Eagleton Project's Foretold In The Language Of Dreams, was a considerable departure. No beats; a calm, shimmering album, involving a slightly smaller cast than usual, including Syrian qanun master Abdullah Chhadeh, whom Natacha married in 1999.

Apart from her own projects, Natacha remains very much in demand as a guest singer for the recordings and performances of a remarkably wide range of musicians, including Nitin Sawhney, Jocelyn Pook, the Indigo Girls, FunDaMental, Ghostland, Abdel Ali Slimani, Toires, !Loca, Musafir, Sawt El Atlas, Franco Battiato, Juno Reactor, Dhol Foundation, Jah Wobble, Jaz Coleman, Apache Indian (on his chart hit Arranged Marriage), Mick Karn, Jean-Michel Jarre's Millennium Night spectacular at the Pyramids, Jonathan Demme's new film The Truth About Charlie, and David Arnold's film scores including Stargate and Die Another Day.

In 2003, she released Something Dangerous, a solo album of contrasts and collaborations, in which she zips Middle Eastern music straight to the heart of current UK pop, pulling in as she does so dance music, rap, drum'n'bass, RandB, Hindi pop, film music and French chanson. The success of her earlier work, both in the Middle East and in the West, including a top ten hit in France, has shown just how alluring a musical bridging of the divide can be; the exotic Arabic scales, rhythms and textures open up new horizons for 4/4-entrapped western pop and create possibilities for the enormous and varied Middle Eastern music scene to communicate outside itself. For a while, at least, there were signs of that happening in France when, alongside crossover success for raï singer Khaled and others, Natacha Atlas had a top ten hit with her Arabicised version of Mon Amie La Rose, and won Best Female Singer at the Victoire de la Musique Awards, France's equivalent of the Brits. Of course, at present the divide needs bridging more than ever before. As ex-President of Ireland Mary Robinson, who in 2001 appointed Atlas Goodwill Ambassador for the UN Conference Against Racism, put it:

"She embodies the message that there is strength in diversity, that our differences - be they ethnic, racial or religious - are a source of riches to be embraced rather than feared."


	Logged

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #76 : 20 Eki, 2007, 11:35:14 »

Cheb Khaled الشاب خالد

<a href="http://www.youtube.com/v/PMBQx8tni4g" target="_blank">http://www.youtube.com/v/PMBQx8tni4g</a>

Khaled (1960- ), chanteur algérien, le représentant le plus connu du mouvement Rai né en Algérie dans les années 1970.
Originaire d'Oran, la patrie du Rai, Khaled Hadj-Brahim chanta dés l'àge de neuf ans dans le groupe oranais les Cinq étoiles, et étudie la guitare, le piano, la flûte et l'accordéon.
Sous le nom de cheb Khaled, il fut l'un des artisans de la fusion du chaâbi, chant populaire oranais, avec des rythmes modernes comme le rock, le funk et le reggae. Influencé galement par des artistes classiques arabes comme l'Egyptien Farid el-Atrache, il obtint un grand succés dés 1976 avec la chanson El Marsam, et devint par la suite populaire dans toute l'Algérie. Aprés le premier festival de Rai à Oran, en 1985, et la fin de la censure dont fut victime cette musique, Khaled put se produire en Europe et notamment en France, oû il s'installa.

--------------------------------------------------------------------------------

Cheb Khaled Suite ...

Khaled (1960- ), chanteur algérien, le représentant le plus connu du mouvement Rai né en Algérie dans les années 1970.
Originaire d'Oran, la patrie du Rai, Khaled Hadj-Brahim chanta dés l'àge de neuf ans dans le groupe oranais les Cinq étoiles, et étudia la guitare, le piano, la flûte et l'accordéon.
Sous le nom de cheb Khaled, il fut l'un des artisans de la fusion du chaâbi, chant populaire oranais, avec des rythmes modernes comme le rock, le funk et le reggae. Influencé galement par des artistes classiques arabes comme l'Egyptien Farid el-Atrache, il obtint un grand succés dés 1976 avec la chanson El Marsam, et devint par la suite populaire dans toute l'Algérie. Aprés le premier festival de Rai à Oran, en 1985, et la fin de la censure dont fut victime cette musique, Khaled put se produire en Europe et notamment en France, oû il s'installa.
Le mélange de Rai, de funk et de new wave avant-gardiste de son album Kutchî, produit en 1986 avec l'artiste algérien Safy Boutella, lui apporta la notoriétè en France et au Japon. Suivant l'essor de la world music, il enregistra en 1992 Khaled, égalant par le son les meilleures productions américaines et utilisant des rythmes rap et reggae. L'album se trouva propulsé en tête des hits-parades, fut consacré disque d'or en France et en Inde, et fit conna?tre le chanteur dans le monde entier. Il devint l'embléme de la nouvelle musique du Maghreb, et permit à la musique orientale moderne de percer dans le paysage musical commercial occidental. Parmi les autres productions de Khaled, citons Ya Taleb (1990), influencé par le jazz-rock, et Nssi-Nssi(1994).

(ter informatie

:AİŞE: (Ar.) Ka. - 1. Yaşayan, zenginlik ve bolluk gören. Yaşayış. Aişe binti Ebu Bekir. Peygamberimiz (s.a.s)'in hanımlarından. Muhterem annelerimizden biri olan Aişe (r.a.) İslami bilgisi ve fakihliği ile de meşhurdur (bkz. Ayşe).)


	Logged

DeSiRe

1ste Bachelor

Offline

Cinsiyet: Bayan

Yer: Çimenler üstüne ask açan yerden
Mesaj Sayısı: 1396

Re: Video Of The Day

« Yanıtla #77 : 20 Eki, 2007, 11:46:06 »

tnx

tis niks Wink


« Son Düzenleme: 20 Eki, 2007, 11:49:19 Gönderen: Zaman »	Logged

Askerler Vurulunca Değil Unutulunca Ölürler

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #78 : 21 Eki, 2007, 13:06:25 »

mijn lievelingsdocumentaire over "the moon landing hoax"

Dark Side of the Moon is a French mockumentary by director William Karel which originally aired on Arte in 2002 with the title Opération Lune. The basic premise for the film is the theory that the television footage from the Apollo 11 Moon landing was faked and actually recorded in a studio by the CIA with help from director Stanley Kubrick. It features some surprising guest appearances, most notably by Donald Rumsfeld, Dr. Henry Kissinger, Alexander Haig, Buzz Aldrin and Stanley Kubrick's widow, Christiane Kubrick.

The tone of the documentary begins with low key revelations of NASA working closely with Hollywood at the time of the Moon landings. Over the course of the tale, Karel postulates that not only did Kubrick help the USA fake the moon landings but that he was eventually killed by the CIA to cover up the truth. First hand testimony backing these claims come from Rumsfeld and Dr. Kissinger lends credence to the story.

It is finally revealed that this is a mockumentary as the end credits roll over a montage of blooper reels, with the main participants laughing over the absurdity of their lines or questioning if particular ones would give the joke away too soon. Besides being a comedic documentary, it is also an exercise in Jean Baudrillard's theories of hyperreality.


	Logged

ZamanZaman

Ziyaretçi

Re: Video Of The Day

« Yanıtla #79 : 22 Eki, 2007, 13:47:45 »

<a href="http://www.youtube.com/v/ISV1CaK77LA" target="_blank">http://www.youtube.com/v/ISV1CaK77LA</a>

Kurban olsun diye kınalamış
Anası oğlunun saçlarını
Hiç çatılmamış şimdiye kadar
Kurbanına simsiyah kaşları.

“Koçlar gibi gideceksin demiş
Bayramın Çanakkale’de senin”
Öperken alnından gülümsemiş
“İnşallah şehit olur bedenin…”

“Ana” dedi kınalı kuzu
“Vatan uğrunda ölmek
İnan bana vız gelir
Dünyalar toplanıp gelse bile
İmanım karşısında
Cılız gelir…”
Çanakkale,
Dünyanın geldiği yer
Bir vatan uğruna
Binlerce Mehmet’in 'vurulup tertemiz alnından'
Bir güneş gibi yattığı yer.
Çanakkale,
İsterse sürüyle gelsin medeniyetin ordusu
Türkün aklına gelmez ölmek korkusu
Yok etmek değildi yapılan
Yaşamak savaşıydı,
Var olmak savaşıydı bu.
Öyle bir savaştı ki
Bir göz fırlamış başından düşmana bakıyordu
Parçalanmış bir gırtlak Allah Allah diyordu
Kanlar içinde bir ayak düşman üstüne yürürken
Tetikte kopmuş bir parmak
Hâlâ mermi sıkıyordu.
Denizden, karadan, havadan saldıran bir medeniyet
Yer gök kan olmuş, yer gök et
İşte Batı
İşte insanlık denilen vahşet.

Toplanıp gelse ne yazar medeniyetin ordusu
Çanakkale dardır, bilinmez mi geçilmez
Hiç olmamıştır ki kuzuların ölmekten korkusu
Türkler vatan için can vermekten çekinmez.
Her neferinde memleket kadar büyük bir yürek
Her yürekte memleketten büyük iman var
Nasıl geçilebilir böyle kınalı başlardan,
Etten, kemikten bir duvar?

Geçemediler
Geçemeyecekler
Ne imanı hesapladılar
Ne akacak kanı
Bilemediler ki hiçbir Türk
Ölmeden bırakmaz vatanı.
Bırakmadı kınalı kuzu
'Vurulup tertemiz alnından' uzanıp yattı.
(edit)

“Kınalı kuzum, kınalı kuzum
Yoluna kurban olduğum
(edit)
Dokuz ayda doğurduğum
Ak sütüm helal ettiğim
Görevini yaptı geçirtmedi düşmanı” diyordu
Köyde dimdik gezen annesi
Gelmiyordu geceleri sevincinden uykusu
Duyulmuyordu akmayan gözyaşlarında
“Olmadı kuzumun yavuklusu” diyen sesi.

Turgut Uzdu


« Son Düzenleme: 22 Eki, 2007, 14:16:27 Gönderen: Zaman »	Logged

Sayfa: 1 ... 6 7 [8] 9 10 ... 17 Yukarı git

Yazdır

« önceki sonraki »

	Merhaba, Ziyaretçi. Lütfen giriş yapın veya üye olun.	23 May, 2012, 11:07:40 Kullanıcı adınızı, parolanızı ve aktif kalma süresini giriniz